Crime and the media

  • Sociologists look into three things when studying the relationship between media and crime:
    • How the media represent, both in fiction and non-fiction.
    • The media are a cause of crime and the fear of crime.
    • Moral panics and media amplification of deviance
    • Cybercrime

Media representation of crime

  • Williams and Dickinson found that British Newspapers dedicate 30% of their news space to crime.
  • However, the media give a distorted image of crime, criminals and policing e.g. as compared to official statistics:
    • They over represent violent and sexual crimes.
    • They portray criminals and victims as older and more middle class than those usually found in the CJS, Felson calls this the ‘age fallacy’
    • The media exaggerate police success in clearing up cases
    • The media exaggerate the risk of victimisation e.g. to women
    • The media over play extraordinary crime – Felson calls this the dramatic fallacy.

News values and crime coverage

  • The distorted picture of crime painted by the news, media reflects the fact news is a social construction.
    • Cohen and Young note, news isn’t discovered by manufactured.
      • News doesn’t simply exist ‘out there’ waiting to be gathered in and written up by the journalist.
      • Instead, it is the outcome of a social process whereby some potential stories are selected while others are rejected.
    • New Values – A key element in the social construction of news is the concept of ‘news values’ – the criteria that journalists and editors use in order to decide whether a story is newsworthy enough to make it into newspaper or news bulletin.
    • If a news stories can be told in terms of some of these news values, it has a better chance of making the news. Key news influencing the selection of crime stories include.
      • Immediacy
      • Dramatization – action and exactment
      • Personalisation – human interest stories about individuals
      • Higher status persons and ‘celebrities’
      • Simplification – eliminating ‘shades of grey’
      • Novelty or unexpectedness – a new angle
      • Risk – victim-centred stories about vulnerability and fear.
      • Violence – especially visible and specular acts.